Tag: New York City

  • Harmonies and healing Frequencies: Musician Cinamon Blair carries On the musical legacy of her grandfather, left-handed Banjo & Guitar jazz musician Lee Blair

    Harmonies and healing Frequencies: Musician Cinamon Blair carries On the musical legacy of her grandfather, left-handed Banjo & Guitar jazz musician Lee Blair

    As I was recovering from the flu last week I decided to watch the documentary American Symphony on Netflix and it was absolutely heart-wrenching and timely and spoke to the incredible creativity required to survive a history as brutal and violent as American history. The story really reminded me of the healing and survival power of creative expression, especially music. Multi-instrumentalist musician and music therapist Cinamon Blair life story and family legacy is one thread of that historical tapestry that needs to be shared.

    Of Cherokee, Choctaw, and Chickahominy lineage, her roots are in the Southeast US. Her musical legacy most recently goes back to her paternal grandfather. He was jazz musician Lee Blair, who migrated from Savannah, Georgia to Brooklyn in the 1920s and played and recording with Jelly Roll Morton’s Red-Hot Peppers, Louis Armstrong, Luis Russell, Billy Kato, Thomas Morris’s Seven Hot Babies, and Charlie Skeete. It was from this rich musical legacy that Cinamon was born into. Brooklyn-born, Massachusetts-based Cinamon is currently playing with the bands Rebirth and Brown Bones as well as continuing to work on her own music.

    ~ Cinamon Blair

    Here is my interview with the effervescent Cinamon Blair.

    What styles of music growing up sparked your love of music?

    Can you tell me about your interest in music therapy and in what ways do you use musical therapy for yourself and how do you work with it for others or in what ways have you seen music be a healing force in your life?

    Are there any non-musical influences that inspire your creativity?

    What advice would you give to emerging artists who are just starting their artistic journeys?

    Can you describe the role that community and cultural heritage play in your work?

    Are there any particular influences or sources of inspiration that have shaped your artistic practice?

    Could you share a specific project or artwork that holds significant meaning to you? What was the inspiration behind it?

    How do you see your art contributing to or engaging with broader social or cultural conversations?

    Anything else you would like our readers to know about you or your art?

    Thank you to Rebirth’s Conga player I-shea Iréne Shaikly for putting together this playlist. Follow her at @ishea_music.
    Playing and harmonizing with Brown Bones.

    CHECK OUT CINAMON’S PROJECTS

    CINAMON’S RECOMMENDED ARTISTS:

    Grandfather, Lee Blair, II and Father, Lee Blair, III (on the right holding the guitar neck) and uncle, Julian Blair 
  • Imagining New York City with Rakim & James Brown

    When I first started this blog, I did for the pure joy of sharing my passion for music, culture, and history. In the past year, I’ve felt joy leave and posting has become more burdensome as I’ve felt pressure to commercialize it in some way. As the blog steamed along, I got more and more solicitations from publicists wanting me to post on their bands. I’ve never taken them up on it but it felt like a bombardment and distracted me from my original purpose. While I don’t begrudge them doing their job, I want to keep it simple, as pure love expressed. So I’m kicking off my own independence weekend by reminiscing about my time in New York City in the 90s, listening to copious amounts of hip-hop, salsa, and reggae. For hip-hop and history lovers like myself, there is a great site that traces song genealogy, called www.whosampled.com. But I have my own version right here for ya!

    From the Rakim’s 1997 The 18th Letter double album, here is a great track called “New York (Ya Out There)” produced by the illustrious DJ Premier:

    While there are other samples throughout, I call your attention to the first vocal sample by James Brown. Here’s the original song called “Down and Out in New York City” from the 1973 film Black Caesar, to which James Brown did the soundtrack:

    Love this. It was from the year I was born. Why do I love funk, rock, and folk from 70s so much? I imagine that it was this perfect combo of gritty rawness and really pretty melodies.

  • Música Boriqua & Nuyorican love


    Recently I saw the PBS special “Latin Music USA!” It was a great series on the origins and influences of the diverse styles of Latin Music in the United States. The episodes covering New York City had me reminiscing about my time living there in the late 90s. When I moved there for graduate school, it was an awesome culture shock for this California girl. To be dropped into Washington Heights (Quisqueya Heights) was a mind bending experience. I started a sonic journey into the music of Nueva York fueled by a desire to learn more about my own Latin heritage as well as love of culture and of my Caribbean brothers and sisters.

    I love to dance so I hit up everywhere from Copacabana and Latin Quarters to the down home clubs in the Boogie Down Bronx and Brooklyn. I saw some amazing bands play live including El Gran Combo De Puerto Rico and Marc Anthony. He hadn’t yet hit the mainstream audiences, but was selling out clubs performing salsa music. Anyhow, I can’t even begin to do justice to the enormity of the music which has come out of New York; all I can do is try to capture a slice of the New York I experienced, the one that lives in my memory.

    So I had “Calle Luna Calle Sol” by Willie Colon song & Hector Lavoe but that video was removed from youtube. So here is another from that dynamic salsa duo from the mid 70s. This style of salsa dura chronicled street life and social problems found in the inner cities as well as just plain stories about the beautiful dances and music of the land of our people like this one “La Murga De Panana”:

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