Category: Songwriting

  • Westward Bound Cowboy and Country with Dom Flemons and Vania Kinard

    Westward Bound Cowboy and Country with Dom Flemons and Vania Kinard

    African-American Country Music History & Cowboy Lore through Sunday December 14 at Berkeley Public Library

    DeFord Bailey Legacy Festival December 13-15 at Freight & Salvage

    Bay Area folks! Dom Flemons and Vania Kinard are curating a music festival and library exhibit celebrating the history of African-American Cowboy Culture and Country Music. The weekend of music (December 13th through the 15th) will be at the historic Freight and Salvage Venue in Berkeley. The visual exhibit is currently up through Saturday, December 14 at the Berkeley Public Library and features historic memorabilia, albums, books, clothing from the private collection of Dom Flemons and Vania Kinard.

    I am excited to share that I created the promotional poster graphic for the Berkeley Library Exhibit featured in the large vinyl sign at the entrance of the library. I plan to record a video sharing how I made this poster using historic public domain available vintage photos as well as free AI software and put it together in Photoshop so sign up for this blog if you’re interested in it because I will share it on this blog when completed in the next couple weeks. I also included a video from the Berkeley Public Library where Vania and Dom share about the exhibit. 

    If you click on the individual photos below, I’ve linked to the website where you can get information or tickets about each event over the next week. I’ve also included below the text from the press release from Freight and Salvage detailing about the Music Festival. Please share widely so that more people can learn about this important part of American history.


    Curator-Led Tour of Westward Bound Exhibit

    December 14, 2024 – 10:30 am-12:00 pm

    Central Library Art & Music/5th Floor

    Central Library

    Go on a live tour of the Westward Bound: African-American Country Music History & Cowboy Lore exhibit by curator Vania Kinard and Grammy award winning musician, Dom Flemons. Vania and Dom created this exhibit to celebrate the pioneers of American roots music and Western history. This exhibit features a display of artifacts, including photographs, instruments, books, and memorabilia from their collection. Visitors will get a glimpse into the often-overlooked history of Black cowboys and some of the trailblazers in country music.  The display cases feature prominent figures such as Bass Reeves and Bill Pickett, alongside the musical legacies of black country artists ranging from DeFord Bailey, Solomon Burke, and Linda Martell to Beyoncé’s Cowboy Carter album. Westward Bound: African American Country Music History & Cowboy Lore exhibit offers a unique opportunity to explore the connections between black western culture and its influence on American history. 

    DeFord Bailey Legacy Festival:
    Yasmin Williams, Leyla McCalla, Bobby Rush

    Saturday, Dec 14th 2024 Doors: 6:00 PM / Show: 7:00 PM

    DeFord Bailey Legacy Festival:
    Jerron Paxton, Dom Flemons, Fantastic Negrito

    Sunday, Dec 15th 2024 Doors: 6:00 PM / Show: 7:00 PM

    Recommended for Adults

    Recommended for kids

  • Harmonies and healing Frequencies: Musician Cinamon Blair carries On the musical legacy of her grandfather, left-handed Banjo & Guitar jazz musician Lee Blair

    Harmonies and healing Frequencies: Musician Cinamon Blair carries On the musical legacy of her grandfather, left-handed Banjo & Guitar jazz musician Lee Blair

    As I was recovering from the flu last week I decided to watch the documentary American Symphony on Netflix and it was absolutely heart-wrenching and timely and spoke to the incredible creativity required to survive a history as brutal and violent as American history. The story really reminded me of the healing and survival power of creative expression, especially music. Multi-instrumentalist musician and music therapist Cinamon Blair life story and family legacy is one thread of that historical tapestry that needs to be shared.

    Of Cherokee, Choctaw, and Chickahominy lineage, her roots are in the Southeast US. Her musical legacy most recently goes back to her paternal grandfather. He was jazz musician Lee Blair, who migrated from Savannah, Georgia to Brooklyn in the 1920s and played and recording with Jelly Roll Morton’s Red-Hot Peppers, Louis Armstrong, Luis Russell, Billy Kato, Thomas Morris’s Seven Hot Babies, and Charlie Skeete. It was from this rich musical legacy that Cinamon was born into. Brooklyn-born, Massachusetts-based Cinamon is currently playing with the bands Rebirth and Brown Bones as well as continuing to work on her own music.

    ~ Cinamon Blair

    Here is my interview with the effervescent Cinamon Blair.

    What styles of music growing up sparked your love of music?

    Can you tell me about your interest in music therapy and in what ways do you use musical therapy for yourself and how do you work with it for others or in what ways have you seen music be a healing force in your life?

    Are there any non-musical influences that inspire your creativity?

    What advice would you give to emerging artists who are just starting their artistic journeys?

    Can you describe the role that community and cultural heritage play in your work?

    Are there any particular influences or sources of inspiration that have shaped your artistic practice?

    Could you share a specific project or artwork that holds significant meaning to you? What was the inspiration behind it?

    How do you see your art contributing to or engaging with broader social or cultural conversations?

    Anything else you would like our readers to know about you or your art?

    Thank you to Rebirth’s Conga player I-shea Iréne Shaikly for putting together this playlist. Follow her at @ishea_music.
    Playing and harmonizing with Brown Bones.

    CHECK OUT CINAMON’S PROJECTS

    CINAMON’S RECOMMENDED ARTISTS:

    Grandfather, Lee Blair, II and Father, Lee Blair, III (on the right holding the guitar neck) and uncle, Julian Blair 
  • The Cosmic Heart of Fiddler Anne Harris

    The Cosmic Heart of Fiddler Anne Harris

    “I started begging for a violin when I was three and my mother took me to go see the movie version of ‘Fiddler on the Roof’. She tells me that I stood up out of my seat in the beginning of the film when Isaac Stern is shown in silhouette playing the overture, pointed to the screen, and shouted, “Mommy that’s what I want to do!”

    “I grew up in a house filled with music, within a community filled with music, within a music-filled world. My dad was an avid vinyl collector, and both of my parents loved music of all genres. Those sounds were the sonic backdrop of my childhood. Blues, Gospel, Classical, Opera, Musical Theater, Folk, Pop, Jazz, Soul, Country, Rock, and much more. The radio, my older sister’s collection, my friend’s music… All of it was foundational to my musical development. And being immersed in such a wide variety of music was a gift for which I’m so deeply grateful. The things that really spoke to me came from different parts of who I was exploring as I grew. I loved Issac Stern because he worked impossible magic with his instrument. I loved Stevie Wonder because of his obvious genius- weaving those incredible tapestries of emotion, with sound, with story. Mahalia Jackson because her voice was a direct conduit to Spirit. I loved the Musical ‘Hair’ for its freedom, (I performed in an amazing version of it produced entirely by me and my friends!), and Musical Theater in general. I loved to dance so Prince, Parliament Funkadelic, Rick James…and many many more of course. But honestly, I never thought specifically about becoming a professional violin player, because although I was in love with the instrument, I was trained Classically, and I never saw myself adhering to that structure. I really loved the freedom that improvisational players had, like guitar players, and since I wasn’t really listening to Bluegrass or Old Time music, it simply never occurred to me that I could take my instrument into contemporary genres. If you don’t SEE it, oftentimes it is really hard to imagine it when you are young. Because most young people begin their musical explorations by imitating what they see that excites them. I never saw a Black person playing Blues or American Roots music growing up, and certainly never a woman.”

    “These groundbreaking artists encapsulated for me what was possible for the instrument beyond the world of Classical music, or really even beyond Jazz as I was starting to play out in American Roots bands  and Rock bands in Chicago. But as far as Jazz players, Regina Carter really snapped my neck as well. Her versatility and soul are astounding.”

    Playlist of Anne’s Music as well as a few of her inspirations mentioned above.

    Photo by: Laura Carbone
Collage by: Sylvia Marina Martinez
    Photo by: Laura Carbone
    Collage by: Sylvia Marina Martinez
  • Staying true to his Philly roots, Chase Flow’s Hip-Hop odyssey takes him around the world

    Staying true to his Philly roots, Chase Flow’s Hip-Hop odyssey takes him around the world

    I first met Chase “Flow” Bradley at least 10 years ago when I was working at the Grammy Awards. I can’t remember the context but I do remember him being a genuine and consistently cool person as well as a multi-talented, multi-disciplinary rapper, DJ, and producer dedicated to not only his craft but also to mentoring youth to pass on what he has learned about songwriting, production, DJing and the business aspect. A true music lover, he has collaborated with artists across genres including electronic and dance. In fact, he has performed with a long time friend of mine, the beautiful and talented dance electronic artist, L. Ariel.  I’ve just seen him continue to grow over the years and been really impressed with his commitment to both developing his craft and always having the community and youth in mind. Recently I saw that he had been performing all over the globe and was really excited to learn more about his experiences bridging cultures and crossing borders especially taking hip-hop from his hometown of Philly to spots as far as India, Tokyo, and the Philippines. 

    Here is a condensed version of some of what Chase shared with me: 

    “The music that sparked me into wanting to create was by Bad Boy Records and the Wu-Tang Clan, though I grew up listening to a wide range of music from Jazz to Funk to  Gospel, but ultimately it was Hip-Hop that resonated with my spirit. Two groups I recall hearing do Hip-Hop for the first time were Christian groups Transformation Crusade and my older brother’s group Infinity as well as the pioneering hip-hop band Arrested Development. They were my introduction to the game, but ultimately it was the production of RZA of the Wu-Tang Clan and the witty lyricism of the late great Notorious B.I.G. that captured my attention and made me fall in love with the culture and the art.”

    “Definitely powerhouse dynasties like Wu-Tang, Bad Boy, Roc-A-Fella  are standouts that influenced and sparked my love for the genre of hip-hop. In terms of rappers, The Notorious B.I.G., Kanye West, Black Thought of the world famous Roots crew, Jadakiss, Jay-Z, and Nas. On the production and songwriting side, RZA, Stevie Wonder, The Neptunes, Quincy Jones, Just Blaze, Kanye, Pete Rock, J Dilla, Gamble and Huff, Bruce Hawes, Thom Bell, Robert Glasper all have inspired me in my style. “

    Can you share the story of how you ended up going internationally to play music and what has that experience been like? Have you found local music in the different countries that inspires you? What’s been the most surprising thing you’ve learned?

    “My first time I ever traveled out the country was in high school to Quebec, Canada for a retreat with my school. But it was a trip to Hong Kong and The Philippines with my cousin in 2017  that would change my life. Ever since that trip I haven’t missed a year of traveling internationally even through Covid. Traveling for me is a huge part in my life and feeds my creative energy. I find it important to see life from other perspectives to help me broaden my view from just what I knew from growing up.  As a DJ, knowing what moves people and how to blend that with stuff I know and like, shows how we are all connected in life. I’ve deejayed on cruise ships, night clubs, and bars all around the world and the power of American music continues to be impactful everywhere I go. In terms of some of my go-to international songs that really get people excited, there is Master KG-Jerusalema of South Africa, Stan Rogers – Barrett’s Privateers of Canada, Joe Arroyo- Rebelión of Colombia, just to name a few.

    I recently just came back from a tour through Asia touring my latest project Thank God 4 Hip Hop and the vibes of that continent were very very inspiring for me. A standout inspiration for me was Shibuya, a region in Tokyo, Japan. As I was headed to DJ, I saw an impromptu crowd gathered in an alley having a concert. It just showed me that no matter language, color, religion, or gender music is something that connects us all as humans. One thing as a DJ no matter where I go or what crowd I play for,  Michael Jackson always gets the party moving. “

    Can you tell  me more about your specific projects and ventures you are working on?

    “I’ve been apart of starting so many different ventures over the years. 2013 I started my own production company/label Chase What Matters Music Group (CWMMG), Pretty Girls Rave (PGR), the Outro Radio Show and my newest Thank God 4 Hip Hop.

    Thank God 4 Hip Hop is a compilation album/mixtape I put together to showcase music I had produced and wrote for different artists. This was my introduction as a host mixtape DJ by myself. Thank God 4 Hip Hop is really more than just a brand logo and music,  but an homage to two  important things that saved my life, God and Hip-Hop. This is just my way of saying  thank you to God and the culture of Hip-Hop. There will be more projects, merch and content coming soon under the brand.”

    What kind of dreams and goals do you envision? 

    “My dreams as a musician of course charting in the billboard hot 100, having a few number ones, platinum and Diamond records, a few Grammys, AMAs, etc as a producer, songwriter and artist. I want to help over a thousand kids worldwide, create more jobs and opportunities for people by helping guide and inspire the future musicians of the world through my program initiatives.”

    I have no doubt that Chase will be walking up to that Grammy podium in short order! In the meantime, he continues to shine his light worldwide! You can find Chase at the links below and if you’re in the Philly area catch him at the Chitlin Circuit Presents: Summer Sun-Sets Live Concert featuring The Inglorious, and a live DJ set by Chaseflow International on Friday, July 21, 2023 at Indy Hall in Philadelphia.